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Rex Taylor Reed (born October 2, 1938) is an American film critic and former co-host of the syndicated television show At the Movies. He writes the column "On the Town with Rex Reed" for The New York Observer.^[1]

Early life

Reed was born on October 2, 1938 in Fort Worth, Texas, the son of Jewell (née Smith) and James M. Reed, an oil company supervisor.^[2][3] He earned his journalism degree from Louisiana State University in 1960.^[4]

In an interview with The New York Times, Reed stated: "My mother came from a family of 10 in Oklahoma, her second cousins were the Dalton Gang," he said. "And when my grandfather was a little boy, he was rocked by Jesse James on his knee."^[1]

Career

Films and TV appearances

Reed has acted occasionally, such as in the movie version of Gore Vidal's Myra Breckinridge (1970). Reed also appeared in the films Superman (1978, as himself), Inchon (1981) and Irreconcilable Differences (1984). He appeared frequently as a judge on the TV game show The Gong Show in the late 1970s. Reed additionally served on the jury at the 21st Berlin International Film Festival in 1971,^[5] and guest-voiced as himself on the animated series The Critic.

Rex Reed appears in the 2009 documentary For the Love of Movies: The Story of American Film Criticism explaining how important film critics were in the 1970s, and complaining about the proliferation of unqualified critical voices on the Internet.^[6]

Critic

Before his current job as film critic for The New York Observer, Reed has been a film critic for Vogue, GQ, The New York Times, and Women's Wear Daily. For thirteen years, he was an arts critic for the New York Daily News, and for five years was the film critic for the New York Post. He is a member of New York Film Critics Circle and, because his reviews appear on the Internet, he is a member of New York Film Critics Online. He is the author of eight books, four of which were best-selling profiles of celebrities: Do You Sleep in the Nude?, Conversations in the Raw, People Are Crazy Here, and Valentines & Vitriol. In the sixties and throughout the seventies, Reed was one of the highest-paid and most in-demand writers of celebrity profiles. His writing style was considered an exemplary example of The New Journalism and his profile of the aging Ava Gardner was included and praised in Tom Wolfe's anthology, The New Journalism.

Controversies

Offensive comments in reviews

In 1969, when he was writing for Stereo Review, Reed reviewed The Irish Rovers' album Tales to Warm Your Mind, where he described the stereo quality as "okay if you're Irish"; the entire text of the review read:

How bored I am with Irish minstrels, rovers, wastrels, tenors, or any other national musical symbol! Especially if they wear green shirts under their love beads to prove whose side they're on. All the cliché props are present in the Irish Rovers' lyrics: penny whistles, brambleshire woods, boarding houses, cranberry lanes, pigs, licorice wheels, and mountain mists. No leprechauns, thank God. But even that omission doesn't save this effort from coming on ever so little like Howdy-Doody imitating Dennis Day.^[7]

In a 2005 review of the South Korean movie Oldboy, Reed wrote:

What else can you expect from a nation weaned on kimchi, a mixture of raw garlic and cabbage buried underground until it rots, dug up from the grave and then served in earthenware pots sold at the Seoul airport as souvenirs?

The Village Voice, which stated that "online forums erupted in protest" at the review, then mocked Reed by imagining him applying similar logic to films from other countries.^[8]

In a 2013 review of Identity Thief, Reed made several references to Melissa McCarthy's weight, referring to her as "tractor-sized", "humongous", "obese", and a "hippo".^[9][10] Film critic Richard Roeper said, "This just smacks of mean-spirited name-calling in lieu of genuine criticism."^[11] On Twitter, Paul Feig, who directed McCarthy in Bridesmaids and The Heat, wrote, "I cordially invite Mr. Rex Reed to go fuck himself."^[11] The review was referenced at the 85th Academy Awards on February 24, 2013 by the host, Seth MacFarlane, who joked that Reed would review Adele for singing "Skyfall" at the ceremony.^[12] In a column for The Huffington Post, Candy Spelling likened Reed's review to bullying.^[13]

In 2016, Reed published a review of The Whole Truth in which he obsesses over Renee Zellweger's face.^[14] He wrote

Once vibrant and appealingly quirky, she disappeared from the screen for a prolonged rest, and re-emerged with an altered appearance so shocking that she could pass for someone on her way to a Halloween ball wearing a badly made Renée Zellweger mask.

In the same review, he also mocked actress Gugu Mbatha-Raw's name, calling her:

A lovely actress who has simply got to do something about a name change.

In a 2017 review of The Shape of Water, he referred to people with disabilities as "defective creatures" and Sally Hawkins' mute character as "mentally handicapped".^[15]

Factual errors in reviews

Reed's 2012 review for The Cabin in the Woods^[16] attracted controversy, due to significant factual inaccuracies in his summary of the film, and his dismissive attitude towards anyone who disagreed with his negative opinion. The L Magazine's Henry Stewart noted: "his review is literally about 50 percent inaccurate—factually, objectively wrong." His professionalism was also called into question when, in addition to the factual inaccuracies, many felt he was needlessly insulting and mean-spirited towards those who enjoyed the film.^[17][18]

In 2013, Reed was the subject of controversy when he reviewed V/H/S/2, despite walking out of the film within its first 20 minutes.^[19] As a result, his review was brief and incorrectly summarized Jason Eisener's segment of the horror anthology. Many felt that Reed was unprofessional, with journalist Sam Adams stating that Reed was "making a mockery of a noble profession while intelligent critics scramble for crumbs all around him".^[20][21]

In 2017, Reed once again attracted controversy for his review of The Shape of Water, by seemingly mistaking the film's writer and director Guillermo del Toro for actor Benicio del Toro (the two are not related; he also misspelled Benicio as Benecio).^[22] Reed also made an error in describing Guillermo del Toro's native country as Spain, when he actually hails from Mexico, and Benicio del Toro comes from Puerto Rico.^[22]

Personal life

Reed lives in a two-bedroom apartment at The Dakota apartment building in New York City,^[23] which he bought for $30,000 in 1969.^[1]

In 2018, Reed stated:

Love is not something that I’ve been really good at. I think people are intimidated by people with opinions. How do you go start looking for a wife or a boyfriend or a significant other? It’s too late. It would be nice, though, to find somebody who’s really handy with a wheelchair, because that day is coming.^[1]

Shoplifting arrest

In February 2000, Reed was arrested for shoplifting after leaving a Tower Records in Manhattan with compact discs by Mel Tormé, Peggy Lee, and Carmen McRae in his jacket pockets. Reed, who had just purchased two other CDs, says he forgot about the other three CDs and his offer to pay for them was refused. The charges were later dropped.^[24] According to Reed, several days after the arrest Peggy Lee sent him her entire catalog of CDs, because "she was so thrilled I wanted one of her CDs enough to put myself through so much hell".^[25]

Bibliography

• 
  Reed, Rex (1968). Do You Sleep In The Nude?. London: Allen. ISBN 0-491-00043-X..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
  


• 
  Reed, Rex (1969). Conversations In The Raw. New York: World. ISBN 0-491-00043-X.
  


• 
  Reed, Rex (1974). People Are Crazy Here. New York: Delacorte Press. ISBN 0-440-07365-0.
  


• 
  Reed, Rex (1977). Valentines & Vitriol. New York: Delacorte Press. ISBN 0-440-09336-8.
  


• 
  Reed, Rex (1986). Personal Effects. New York: Jove Books. ISBN 0-441-66220-X.
  


• 
  Reed, Rex (1992). Rex Reed's Guide to Movies on TV and Video, 1992-1993. Warner Books. ISBN 0-446-36206-9.
  

References

External links

• Rex Reed's New York Observer movie review archive


• New York Film Critics Circle biography


• 
  Rex Reed on IMDb


• 
  Who is Rex Reed? (NYTimes, January 10, 2018)