Raymond Bellour
Raymond Bellour | |
|---|---|
| Born | 1939 Lyons, France |
| Education | Doctorat d'état, 1979, Université de Paris I, France |
| Known for | Research and writing in the areas of film theory, film analysis, literature and moving-image art |
| Title | Director of Research, Emeritus, CNRS, Paris, France |
Raymond Bellour (born 1939 in Lyon) is a French scholar, and writer.[1] Best known to Anglophone readers for his publications on film analysis,[2] his work is dispersed across a wide range of articles and books, few of which are available in English, in which he addresses a broad spectrum of topics in the areas of cinema, literature and moving-image art.[3] He is currently Director of Research, Emeritus, at the CNRS, the Centre national de la recherche scientifique, which he entered in 1964.[4] In the course of his career he has taught at the Université de Paris I, at IDHEC (now "la Fémis"), the Université de Paris III, the Centre américain d'études cinématographiques, later renamed the Centre parisien d'études critiques, and in a range of international institutions as a guest lecturer.[5] In 1990 with Christine Van Assche and Catherine David he co-curated the Passages de l'image exhibition at the Centre Georges Pompidou.[6] He helped found the journal Trafic[7] in 1991, with Serge Daney, and Jean-Claude Biette,[8][9]
Works
Le Livre des autres: entretiens avec M. Foucault, C. Lévi-Strauss, R. Barthes, P. Francastel ..., L’Herne, 1971- 'Segmenting/Analysing', Quarterly Review of Film Studies, Vol. 1, No. 3, August 1976, pp. 331–353
L'Analyse du film, 1979. Translated as The Analysis of Film
- 'Psychosis, Neurosis, Perversion', Camera Obscura, nos 3–4, 1979, pp. 104–34. Reprinted in Marshall Deutelbaum, Leland A. Poague, eds., A Hitchcock Reader, 2nd ed., Wiley-Blackwell, 2009, pp. 341 ff.
Henri Michaux, 1986
Mademoiselle Guillotine, 1989
Eye for I: Video Self-Portraits, New York: Independent Curators Inc., 1989
L'Entre-Images: Photo, Cinéma, Vidéo, 1990
Jean-Luc Godard: Son + Image 1974-1991, 1992
Oubli, 1992
L'Entre-Images 2, 1999
Partages de l'ombre, 2002
Le Corps du cinéma, 2009
La Querelle des dispositifs: Cinéma - installations, expositions, 2012
L'Enfant, 2013
Pensées du cinéma, 2016
References
^ Warren Buckland, 'From System to Structure : The Film Semiology of Raymond Bellour', Essays in Poetics, 18, 2 (1993): 42-68
^ Bellour, Raymond; Radner, Hilary; Novero, Cecilia; Salazkina, Masha; Fox, Alistair (Spring 2014). "From Hypnosis to Animals". Cinema Journal. University of Texas Press. 53.3: 1–8 – via Project Muse..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
^ Hilary, Radner; Fox, Alistair (2018). "Biography and Publications of Raymond Bellour by Alistair Fox". Raymond Bellour: Cinema and the Moving Image. Edinburgh: Edinburgh University Press. pp. 176–184. ISBN 9781474422895.
^ Radner, Hilary; Fox, Alistair (2018). "Biography and Publications of Raymond Bellour by Alistair Fox". Raymond Bellour: Cinema and the Moving Image. Edinburgh: Edinburgh University Press. p. 180. ISBN 9781474422895.
^ Radner, Hilary; Fox, Alistair (2018). "Biography and Publications of Raymond Bellour by Alistair Fox". Raymond Bellour: Cinema and the Moving Image. Edinburgh: Edinburgh University Press. pp. 181, 182. ISBN 9781474422895.
^ Raymond Bellour (France, 1939- )
^ Michael Goddard, Raymond Bellour, in Colman, ed., Film, Theory and Philosophy
^ ""From Matter"". Trafic. 79:1. Autumn 2011.
^ Morain, Jean-Baptiste (December 12, 2016). "La revue "Trafic" publie son centième numéro". lesinrocks.com. Retrieved May 29, 2018.
External links
- Catherine Grant, Film Theory Unstilled: Raymond Bellour, Film Studies for Free, 10 October 2009
Works by or about Bellour, Raymond in libraries (WorldCat catalog)
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